Jejak antikolonial kesusastraan Balai Pustaka dalam novel Sitti Nurbaya: Kasih Tak Sampai Anticolonial traces in literary context of Balai Pustaka in “Sitti Nurbaya: Kasih Tak Sampai”
Main Article Content
Abstract
In the creation of literary works, the author will always be influenced by the spirit of the times (Zeitgeist) that existed during the writing process. Sitti Nurbaya: Kasih Tak Sampai, a novel by Marah Rusli, is one of the literary works that is close to Minangkabau culture. It was first published in 1922 by Balai Pustaka. Balai Pustaka established strict regulations in publishing reading materials for people in the Dutch East Indies to stem the nationalism of indigenous peoples. This research aims to find the strategies used by Marah Rusli to convey the anticolonial discourse contained in the work. The method used in this study is a qualitative descriptive method with the sociology of literature approach and Stuart Hall’s concept of representation. The results that the researcher found in this study are the anticolonial traces conveyed by Marah Rusli using various strategies to escape the censorship of Balai Pustaka, namely (1) the construction of youth figures representing the modernity of the Dutch colonial government and the elderly representing the traditionality of indigenous people; (2) the portrayal of anticolonial attitudes through antagonistic characters; and (3) the use of the year of Hijri to deceive the Dutch colonial government.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Every work in Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a CC BY-SA 4.0 DEED Attribution-ShareAlike 4.0 Internationalthat allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
References
Atikurrahman, M., Ilma, A. A., Dharma, L. A., Affanda, A. R., Ajizah, I., & Firdaus, R. (2021). Sejarah Pemberontakan dalam Tiga Bab: Modernitas, Belasting, dan Kolonialisme dalam Sitti Nurbaya. Suluk: Jurnal Bahasa, Sastra, dan Budaya, 3(1), 1–22. https://doi.org/10.15642/suluk.2021.3.1.1-22
Faruk. (2014). Pengantar Sosiologi Sastra: Dari Strukturalisme Genetik Sampai Post-modernisme. Pustaka Pelajar.
Fatmawati, G., & Rizal, M. S. (2023). Muatan Penyimpangan Sosial dalam Novel Seandainya Aku Boleh Memilih Karya Mira W: Kajian Sosiologi Sastra. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, 6(1), 191–204. https://doi.org/10.30872/diglosia.v6i1.587
Febriani, E. F., & Efendi, A. (2022). Sociological Aspects in Siti Nurbaya’s Novel by Marah Rusli. International Journal of Linguistics, Literature and Translation, 5(4), 167–171. https://doi.org/10.32996/ijllt.2022.5.4.20
Fitri, H., Asnan, G., & Nopriyasman, N. (2022). Historiografi Perang Kamang 1908: Kategorisasi Penulisan oleh Orang Minang. NUSANTARA: Jurnal Ilmu Pengetahuan Sosial, 9(10), 3699–3712. http://jurnal.um-tapsel.ac.id/index.php/nusantara/article/view/8672
Habsari, W. A. L. (2023). Internalisasi Nilai Pelestarian Alam dan Pendidikan Karakter melalui Representasi Kejahatan Lingkungan dalam Sastra Anak Karya Okky Madasari. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, 6(3), 625–644. https://doi.org/10.30872/diglosia.v6i3.692
Hall, S. (1997). The Work of Representation. Dalam S. Hall (Ed.), Representation: Cultural Representations and Signifying Practices. Sage Publications Ltd.
Jones, T. (2015). Kebudayaan dan Kekuasaan di Indonesia: Kebijakan Budaya Selama Abad Ke-20 Hingga Era Reformasi. Yayasan Pustaka Obor Indonesia; KITLV-Jakarta.
Lionar, U., Mulyana, A., & Yulifar, L. (2020). Plakat Panjang Hingga Perang Kamang: Gerakan Rakyat Minangkabau Menentang Pajak Kolonial Belanda. Historis: Jurnal Kajian, Penelitian dan Pengembangan Pendidikan Sejarah, 5(2), 113–122. https://journal.ummat.ac.id/index.php/historis/article/view/3409
Masyitah, Ibrahim, B., & Melay, R. (2019). Peristiwa Perang Kamang Tahun 1908 (Gerakan Rakyat Kamang Terhadap Belanda). Jurnal Online Mahasiswa Fakultas Keguruan Dan Ilmu Pendidikan, 6(1), 53–61. https://jom.unri.ac.id/index.php/JOMFKIP/article/view/23369
Mulyani, Y. (2010). Nasionalisme dalam Siti Nurbaya Karya Marah Rusli. Jurnal Sosioteknologi, 9(19), 797–811. https://multisite.itb.ac.id/kkik-fsrd/wp-content/uploads/sites/154/2007/04/3.-B.-Yeni.pdf
Nadhira, N. A. (2022). Representasi Nilai Moral pada Film Yang Berjudul “Bebas” (Kajian Sosiologi Sastra). Deiktis: Jurnal Pendidikan Bahasa dan Sastra, 2(2), 161–169. https://doi.org/10.53769/deiktis.v2i2.256
Putri, S., Yuliati, D., & Puguh, D. R. (2021). The Policies of Balai Pustaka as the Dutch Colonial Government’s Publishing Agency in 1917-1942. Indonesian Historical Studies, 5(1), 9–22. https://ejournal2.undip.ac.id/index.php/ihis/article/view/10451
Ratna, N. K. (2015). Teori, Metode, dan Teknik Penelitian Sastra: dari Strukturalisme hingga Postrukturalisme Perspektif Wacana Naratif. Pustaka Pelajar.
Restiyani, A., & Rusdiarti, S. R. (2023). Transformasi Resistensi Perempuan dalam Novel Sitti Nurbaya Karya Marah Rusli ke Serial Musikal Nurbaya. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, 6(2), 607–624. https://doi.org/10.30872/diglosia.v6i2.685
Rosidi, A. (1969). Ichtisar Sedjarah Sastra Indonesia. Ganaco.
Rosidi, A. (1988). Kapankah Kesusasteraan Indonesia Lahir: Beserta Sepilihan Karangan Lainnya. CV Haji Masagung.
Rusli, M. (1994). Sitti Nurbaya: Kasih Tak Sampai. Balai Pustaka.
Yudiono KS. (2007). Pengantar Sejarah Sastra Indonesia. PT Grasindo.
Setiawan, A. (2019). Sistem Kekerabatan Matrilineal dalam Adat Minangkabau pada Novel Siti Nurbaya: Kasih Tak Sampai Karya Marah Rusli. Alfabeta: Jurnal Bahasa, Sastra, dan Pembelajarannya, 2(1), 92–104. https://doi.org/10.33503/alfabeta.v2i1.461
Sugihastuti. (2011). Teori Apresiasi Sastra. Pustaka Pelajar.
Sugiyono. (2013). Metode Penelitian Kuantitatif, Kualitatif, dan R & D. Alfabeta.
Tjaraka, A. R. (2021). The Theme of Forced Marriage in Balai Pustaka Novel Sitti Nurbaya: Kasih Tak Sampai by Marah Rusli and Realismus Novel Effi Briest by Theodor Fontane. Prosiding Seminar Nasional dan Internasional HISKI, 82–88. https://prosiding.hiski.or.id/ojs/index.php/prosiding/article/view/12
Zuhroh, F., Nada, A. Q., Taufiqoh, F. U., Lutfiyah, S. K., Husna, S. A., & Khodafi, M. (2023). Perlawanan Tak Kunjung Padam: Adat, Agama, dan Resistensi Terhadap Kolonial dalam Sitti Nurbaya. Suluk: Jurnal Bahasa, Sastra, dan Budaya, 4(2), 80–93. https://doi.org/10.15642/suluk.2022.4.2.80-93