Maskulinitas tokoh utama pria pada film Вокзал Для Двоих (Stasiun untuk Berdua) karya Eldar Ryazanov Masculinity of the male protagonist in Вокзал Для Двоих (Station for Two) by Eldar Ryazanov
Main Article Content
Abstract
This study analyzes the representation of masculinity in the male main character depicted in Eldar Ryazanov's film Вокзал Для Двоих (Railway Station for Two), which was released in 1982. This study aims to describe and interpret the portrait of masculine characteristics shown in Platon Sergeyevich Ryabinin as the leading male character in this film. The method used in this research is a qualitative approach in the form of the descriptive analytical method. The theory used to examine representations in film scenes and dialogues is Stuart Hall's representation theory and supported by Roland Barthes' semiotic theory. This research shows that through both parts of the film Вокзал Для Двоих (Railway Station for Two) (1982), Platon Sergeyevich Ryabinin as the male lead character exhibits masculine characteristics based on seven characteristics expressed by Janet Saltzman Chafetz, namely physical appearance, functional, sexual, emotional, intellectual, interpersonal, and other personal characteristics of the character.
Downloads
Article Details

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Every work in Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a CC BY-SA 4.0 DEED Attribution-ShareAlike 4.0 Internationalthat allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
References
Anggrahaeni, J. (2012). Representasi Maskulinitas pada Iklan Cetak Minuman Vodka (Sebuah Kajian Semiotik) [Universitas Indonesia]. https://lib.ui.ac.id/detail?id=20296310
Ashwin, S., & Lytkina, T. (2004). Men in Crisis in Russia. Gender & Society, 18(2), 189–206. https://doi.org/10.1177/0891243203261263
Attwood, L. (1990). The New Soviet Man and Woman: Sex-Role Socialization in the USSR. Palgrave Macmillan.
Beumers, B. (Ed.). (2011). Directory of World Cinema: Russia. Intellect.
Blackstone, A. M. (2003). Gender Roles and Society. In J. R. Miller, R. M. Lerner, & L. B. Schiamberg (Eds.), Human Ecology: An Encyclopedia of Children, Families, Communities, and Environments (pp. 335–338). ABC-CLIO. https://digitalcommons.library.umaine.edu/soc_facpub/1/
Bordwell, D., Thompson, K., & Smith, J. (2017). Film Art: An Introduction (7th ed.). McGraw-Hill.
Chafetz, J. S. (1978). Masculine, Feminine or Human?: An Overview of the Sociology of the Gender Roles (2nd ed.). F. E. Peacock Publishers. https://archive.org/details/masculinefeminin00chaf/page/n1/mode/2up
Chernyshova, N. (2011). Philistines on the Big Screen: Consumerism in Soviet Cinema of the Brezhnev Era. Studies in Russian and Soviet Cinema, 5(2), 227–254. https://doi.org/10.1386/srsc.5.2.227_1
Cloete, A. L. (2017). Film as Medium for Meaning Making: A Practical Theological Reflection. HTS Teologiese Studies / Theological Studies, 73(4), 1–6. https://doi.org/10.4102/hts.v73i4.4753
Creswell, J. W. (2010). Research Design: Pendekatan Kualitatif, Kuantitatif, dan Mixed. Pustaka Pelajar.
Crouch, M. (1979). Problems of Soviet Urban Transport. Soviet Studies, 31(2), 231–256. https://doi.org/10.1080/09668137908411239
Dawani, A. A. (2017). Maskulinitas Tokoh Alfi dalam Novel Adaptasi Wattpad Dignitate (2017) Karya Hanna Margaretha [Universitas Indonesia]. https://lontar.ui.ac.id/detail?id=20516799
Eldar, R. (1982). Вокзал Для Двоих (Stasiun Untuk Berdua). https://www.youtube.com/watch?v=3g-p1d8H02o
Fahrurodji, A. (2006). Rusia Baru Menuju Demokrasi: Pengantar Sejarah dan Latar Belakang Budayanya. Yayasan Obor Indonesia.
Hall, S. (Ed.). (1997). Representation: Cultural Representations and Signifying Practices. Sage & Open University.
Hardjatno, N. J. M. (2016). Kamus Besar Rusia – Indonesia. Yayasan Obor Indonesia.
Hoed, B. H. (2007). Semiotik dan Dinamika Sosial Budaya: Ferdinand de Saussure, Roland Barthes, Julia Kristeva, Jacques Derrida, Charles Sanders Peirce, Marcel Danesi & Paul Perron, dll. Fakultas Ilmu Pengetahuan dan Budaya, Universitas Indonesia.
Khrebtan-Hörhager, J., & Kononenko, I. (2015). Of Fighters and Frames: Femen’s Corporeality Between the Old, the New, the Yellow and the Blue. Journal of Intercultural Communication Research, 44(3), 224–251. https://doi.org/10.1080/17475759.2015.1034754
Kiblitskaya, M. (2000). ‘Once We Were Kings’’: Male Experiences of Loss of Status at Work in Post-communist Russia.’ In S. Ashwin (Ed.), Gender, State and Society in Soviet and Post-Soviet Russia (1st ed.). Routledge.
Kinopoisk. (2024). Вокзал Для Двоих (1982). https://www.kinopoisk.ru/film/45822/
Krishnarao, B. (1961). The Descriptive Method in Social Research. Sociological Bulletin, 10(2), 46–52. https://doi.org/10.1177/0038022919610204
Kurnia, N. (2004). Representasi Maskulinitas dalam Iklan. Jurnal Ilmu Sosial Dan Ilmu Politik, 8(1), 17–36. https://jurnal.ugm.ac.id/jsp/article/view/11056
Levant, R. F. (1997). The Masculinity Crisis. The Journal of Men’s Studies, 5(3), 221–231. https://doi.org/10.1177/106082659700500302
Randall, A. E. (2012). Soviet Masculinities. Russian Studies in History, 51(2), 3–12. https://doi.org/10.2753/RSH1061-1982510200
Rivkin, J., & Ryan, M. (Eds.). (2017). Literary Theory: An Anthology (3rd ed.). John Wiley & Sons, Ltd.
Santosa, P., & Djamari. (2015). Strategi Pembelajaran Sastra pada Era Globalisasi. Azzagrafika.
Spitzberg, B. H., & Cupach, W. R. (2002). Interpersonal Skills. In Handbook of Interpersonal Communication (3rd ed., pp. 564–611). Sage.
Szirom, T. (2017). Teaching Gender?: Sex Education and Sexual Stereotypes (1st ed.). Routledge. https://doi.org/10.4324/9781315168388
Whitehead, S. M., & Barrett, F. (Eds.). (2022). The Masculinities Reader. Polity.
Zdravomyslova, E., & Temkina, A. (2013). The Crisis of Masculinity in Late Soviet Discourse. Russian Social Science Review, 54(1), 40–61. https://doi.org/10.1080/10611428.2013.11065500