Semiotics in the song Saat Kau Telah Mengerti by Virgoun Semiotika pada lagu “Saat Kau Telah Mengerti” karya Virgoun
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Published:
Aug 17, 2024
Keywords:
semiotics, songs, denotation meaning, connotation meaning
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Abstract
This research aims to describe the connotation and denotation meanings in the song entitled Saat Kau Telah Mengerti (When You Understand) by Virgoun. In this article, the method used descriptive qualitative and analyses using Roland Barthes' semiotic theory, which discusses the concepts of denotation and connotation. According to Barthes' concept, a denotative sign consists of a signifier and a signified, but it also functions as a connotative sign. This means that the connotative sign not only has an additional meaning, but also consists of both parts of the denotative sign on which it is based. The results of this study reveal that there are ten song lyrics that contain denotative meaning and sixteen song lyrics that contain connotative meaning. The song Saat Kau Telah Mengerti has a meaning in the form of messages and hopes of parents to children. In its song, the songwriter as a parent wants to give the best for his child. However, action taken by parents for their children’s benefit can occasionally cause the child to feel upset or angry.
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Widhiarto, A. K., Illona, F., Suryaningrum, D., Hapsari, A. T., Muzaki, H., Zunoomy, M. S., & Bello, I. M. (2024). Semiotics in the song Saat Kau Telah Mengerti by Virgoun. Diglosia: Jurnal Kajian Bahasa, Sastra, Dan Pengajarannya, 7(3), 477-484. https://doi.org/10.30872/diglosia.v7i3.996
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Anjani, A. F., Anjani, N. K. M., Giovana, S., Apriliani, S., & Farisandy, E. D. (2024). Cinta Pertama Hilang: Mengungkap Dinamika Forgiveness Perempuan Dewasa Tanpa Ayah Pasca Perceraian. Psyche 165 Journal, 17(1), 48–56. https://doi.org/10.35134/jpsy165.v17i1.332
Azrin, M. A. (2019). Kebaya Sebagai Identitas Perempuan Jawa Muslim [Skripsi, IAIN Kediri]. https://etheses.iainkediri.ac.id/1797/
Cahya, S. I. A., & Sukendro, G. G. (2022). Musik Sebagai Media Komunikasi Ekspresi Cinta (Analisis Semiotika Lirik Lagu “Rumah ke Rumah” Karya Hindia). Koneksi, 6(2), 246–254. https://doi.org/10.24912/kn.v6i2.15565
Cevania, D., & Merrita, D. (2023). Signs through Songs: A Semiotic Analysis of Self-Confidence Lyrics. E-LinguaTera, 3(1), 201–214. https://jurnal.ubd.ac.id/index.php/pr/article/view/2113
Damayanti, I. K. (2022). Makna Terhadap Mitos dalam Lirik Lagu “Takut” Karya Idgitaf: Kajian Semiotika Roland Barthes. Deiksis: Jurnal Pendidikan Bahasa Dan Sastra Indonesia, 9(1), 31–35. https://doi.org/10.33603/deiksis.v9i1.6150
Fatimah. (2020). Semiotika dalam Kajian Iklan Layanan Masyarakat (ILM). TallasaMedia.
Jumaris. (2021). Syiar Islam Melalui Musik di Era Sosial Media. Al-Din: Jurnal Dakwah Dan Sosial Keagamaan, 7(1). https://jurnal.iain-bone.ac.id/index.php/aldin/article/view/1737
Lantowa, J., Marahayu, N. M., & Khairussibyan, M. (2017). Semiotika: Teori, Metode, dan Penerapannya dalam Penelitian Sastra. Deepublish.
Masyitoh, R. (2022). Dakwah Melalui Musik: Eksistensi Musik Religi di Radio SAS FM. Mukammil: Jurnal Kajian Keislaman, 4(2), 215–231. https://www.ejournal.alkhoziny.ac.id/index.php/mukammil/article/view/156
Miles, M. B., Huberman, A. M., & Saldana, J. (2018). Qualitative Data Analysis: A Methods Sourcebook (4th ed.). SAGE Publications.
Nasirin, C., & Pithaloka, D. (2022). Analisis Semiotika Roland Barthes Konsep Kekerasan dalam Film The Raid 2 Berandal. Journal of Discourse and Media Research, 1(1), 28–43. https://journal.rc-communication.com/index.php/JDMR/article/view/14
Nurdiansyah, C. (2018). Analisa Semiotik Makna Motivasi Berkarya Lirik Lagu Zona Nyaman Karya Fourtwenty. Komunikasi, 9(2), 161–167. https://ejournal.bsi.ac.id/ejurnal/index.php/jkom/article/view/4106
Nurdin, M. T. S. (2023). Analisis Semiotik Makna Perjuangan Seorang Ibu dalam Lagu Dawai (Air Mata di Ujung Sajadah). Fonologi: Jurnal Ilmuan Bahasa Dan Sastra Inggris, 1(3), 20–35. https://doi.org/10.61132/fonologi.v1i3.73
Pristianingrum, S., & Damayanti, R. (2022). Pragmatic Dimension of Semiotics in Song Lyrics. Journal of Pragmatics and Discourse Research, 2(2), 98–107. https://doi.org/10.51817/jpdr.v2i2.215
Sari, P. P., Sumardi, S., & Mulyadi, S. (2020). Pola Asuh Orang Tua terhadap Perkembangan Emosional Anak Usia Dini. Jurnal PAUD Agapedia, 4(1), 157–170. https://doi.org/10.17509/jpa.v4i1.27206
Sari, S. L., Devianti, R., & Safitri, N. (2018). Kelekatan Orangtua untuk Pembentukan untuk Pembentukan Karakter Anak. Educational Guidance and Counseling Development Journal, 1(1), 17–31. https://doi.org/10.24014/egcdj.v1i1.4947
Sinaga, Y. C., Cyntia, S., Komariah, S., & Barus, F. L. (2021). Analisis Makna Denotasi Dan Konotasi Pada Lirik Lagu “Celengan Rindu” Karya Fiersa Besari. Metabahasa, 3(1), 41–55. https://jurnal.unsil.ac.id/index.php/mbsi/article/view/3510
Suhartono, D. D., & Aesthetika, N. M. (2023). Analisis Semiotika Makna Pada Lirik Lagu “Di Udara” Karya Efek Rumah Kaca (Kajian Semiotika Ferdinand de Saussure). In UMSIDA Preprints Server. Universitas Muhammadiyah Sidoarjo. https://doi.org/10.21070/ups.2095
Virgoun. (2023). Saat Kau Telah Mengerti. https://genius.com/Virgoun-saat-kau-telah-mengerti-lyrics
Wahid, H. A. (2024). Roland Barthes Semiotic Analysis of the Meaning of Independence in the Song “Ain’t Fun” by Paramore. Digicommtive, 2(2), 90–101. https://digicommtive.com/JCCSDC/article/view/165